Wednesday, March 3, 2010

Episode 20 - Elegy

Original Airdate: February 19, 1960

Plot: Three astronauts run out of fuel and land on an asteroid which seems exactly like Earth - except none of the people are moving. They come to learn that this is an elaborate cemetery where wishes come true... eternally.



Hurray, another "three guys in a space ship" episode! I say it in jest, as I enjoy classic sci-fi elements, but these guys could be the crew from "And When the Sky Was Opened" or "I Shot an Arrow into the Air" and not much would change. "I Shot an Arrow into the Air" even had the crew landing on an Earth-like asteroid. What this episode does have over those is the tall, dark haired actor who seems to be imitating William Shatner's Captain Kirk, six years before Kirk graced our sets! He had so many lines that made me laugh unnecessarily. "This is a tractor. They used them in the 20th century, before... The Total War."



Ideologically it's a downbeat but thoughtful piece. Charles Beaumont penned this one and while it wasn't as intriguing as "Perchance to Dream," I still find myself identifying with his views, assuming that his work is a reflection of them. The asteroid-cemetery allows the deceased to be frozen in tableaux, like a wax figure, forever preserved while having their greatest wishes fulfilled. One man is perpetually being inaugurated as mayor. A frumpy woman wins a beauty contest. One simple man enjoys the serenity of a quiet life on a farm. In effect it's meaningless, as being deceased prevents the individual from feeling the joy of wish fulfillment, but really it's the only way it can work. As the caretaker puts it, "... while there are men, there can be no peace." As long as other people exist, there will be competition for status and interruptions from quiet. The only way to make everyone happy is to create a world devoid of human life. To put it another way, "you can't always get what you want."

Episode 19 - The Purple Testament

Original Airdate: February 12, 1960

Plot: A lieutenant in the Philippines discovers that he has a horrifying ability: by looking at his fellow servicemen, he can determine who will die soon. When his number appears to be up, he goes quietly to his fate.



It was a great premise, but it just didn't play out the way I wanted. To have a supernatural power that doesn't benefit you at all but is rather a burden is a clever twist on a classic conceit, but the episode spends too much time focusing on the trauma caused by the onset of the power and never really gets into its significance. Given Serling's military service and track record, I expected a couple of long-winded monologues about the futility of war, but perhaps it is because WWII was so fresh on Serling's mind that he didn't attempt to lessen its significance with his typical "shades of grey" worldview. On second thought (literally my second thought, as I'm writing this in a nearly stream-of-consciousness manner), perhaps the episode's strength lies in the fact that the protagonist does very little to attempt to save his fellow soldiers; after all, the individual is rendered powerless before the hive mind that is a military unit. Hm, I think I've talked myself into liking this episode more.



A few other points of interest: the airdate on the back of the (first run) DVD is incorrect. This is not the first error I've seen on this shoddy packaging. Twilight Zoners who obsess over minute details to the degree of a Star Trek fan will remember the stairway set as the same one from episode 4, The Sixteen-Millimeter Shrine. Fans of classic TV in general will notice Dick York, Darren from Bewitched as Captain Riker, but the novelty will wear off quickly as his performance is flat-out bad. His rousing speech to the troops has all the conviction of "kids, we have to take grandma to the hair dresser now."